![]() Sendai Parco, Sendai, Japan, AugSeptember 15, 2008.Nagoya Parco, Nagoya, Japan, June 2, 2008.Sapporo Parco, Sapporo, Japan, ApMay 11, 2008.Parco Factory, Shibuya Tokyo, Japan, MaApril 7, 2008.Mika Ninagawa: Self-image, Hara Museum of Contemporary Art, Jan 24 –.Hotel Anteroom Kyoto, Kyoto, Japan, Present.Taichung World Flora Exposition, Taichung, Taiwan,.Into Fiction/Reality, Iwaki City Art Museum, Fukushima, Japan, Apr 13.Shikao Suga's "Aitai" album cover and artist photo (2013).2001: The 26th Kimura Ihei Award, Asahi Shimbun Publishing Co.1998: Photo Encouragement Award, Konica.1996: New Cosmos of Photography Excellence Award, Canon.1996: Grand Prize, 9th Shashin Hitotsubo Ten.In 2020, her web series directorial debut was with Netflix's Followers. She directed the live action film adaptation of the manga Helter Skelter in 2012. In September 2010, her music video for the AKB48 song " Heavy Rotation" was released. She made her debut as a full-length film director in 2007 with Sakuran. Ninagawa has enjoyed significant commercial success in fashion and advertising. In 2014, she was appointed as an executive board member of the Tokyo Organizing Committee for the Olympic and Paralympic Games of 2020. Her work was first exhibited outside Japan in 1997 at the Parisian concept store Colette (boutique), and in 2001 she received the 26th Kimura Ihei Award (Japan's most prestigious photography award). ![]() She was recently appointed as an executive board member of the Tokyo Organizing Committee of the Olympic and Paralympic Games by virtue of her experiences and insights in arts and culture.Mika Ninagawa ( 蜷川 実花, Ninagawa Mika, born Octoin Tokyo, Japan) is a Japanese photographer and director, known for her brightly colored photographs of flowers, goldfish, and landscapes.ĭaughter of acclaimed theatre director Yukio Ninagawa, she first came to prominence in the late 1990s as part of Japan's 'Girly Photo' movement (in which amateurs took photos of daily objects). Ninagawa Mika was born in Tokyo, and graduated from Tama Art University in 1997. Moving beyond her warm gaze towards uniqueness or strength of individual, she has achieved a calm perspective that tries to understand a law of life and death of all creation. She conveys the situations where characteristic of small individual is swallowed into the big flow of the mass, and only through the movement of the mass the individual can express their existence as something grotesque yet beautiful, and dull yet fragile. Through her numerous images she often makes the boundary between individuals and the mass obscure. Ninagawa creates these visual experiences through which she conveys her observation and feelings towards contemporary society. The “noir” series depicts the extreme poles of life and death, allowing viewers to experience an overwhelming, even violent, life’s force and a deep, distorted, garishly colored darkness. Also featured is the works from the “PLANT A TREE” series, which captures the passing moments of beauty of cherry blossom along the Meguro river, Tokyo, all taken in only three hours. ![]() After being kept away from public view over years although she continued producing, these photographs, many of them are monochrome without “Ninagawa Color”, capture viewer’s eyes with fresh sensations of truly raw, unguarded artist herself. The Hara exhibition featured the “Self-image” series, Ninagawa’s early works that include many self-portraits. ![]() (Or maybe it’s more natural to say that as the result of competition between visual experiments and interests towards society, it lead to such perspective.) ” Especially an art critic Midori Matsui describes the essence of the exhibition: “through her solo exhibition, I felt strong criticism towards solitude and alienation of the mass of people in the bustle of contemporary society, and reification of humans themselves as well as exploitations of non-humans / animals. This year Ninagawa holds a major solo museum exhibition “Mika Ninagawa: Self-image” at Hara Museum of Contemporary Art, Tokyo, which receives high recognition both domestically and internationally.
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